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REET Level 1 · Environmental Studies (EVS)

Rajasthan's Traditional Dress & Ornaments — REET EVS Notes

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This page covers the Dress and Ornaments topic from REET EVS's 'Rajasthan's Environment' unit — the names of traditional garments and jewellery, and which part of the body each is worn on. This topic is confusing because of its fine-grained names, so learn it organised by body part.

  • 0 questions in REET 2024
  • Class 1–5 level
  • 9 min read
Verified 17 September 2026 · Source: Rajputi poshak — general reference

How REET asks this topic

REET 2024 carried no direct question from dress and ornaments. In the syllabus it's part of EVS's 'Rajasthan's Cultural Identity' unit, introducing children to the state's traditional clothing and jewellery. Expect questions matching an ornament's name to the body part it's worn on.

Rajasthani dress

Rajasthan's traditional women's dress is called the 'Rajputi poshak', and it has three main parts — the ghagra, a long, flared skirt; the kanchli or kurti, the upper garment; and the odhni, a veil that covers both the head and the body. These garments are commonly decorated using tie-and-dye techniques such as bandhani (also called bandhej) and lehariya, colourful patterned dyeing styles that form a special identity of Jodhpur and Jaipur.

Men's traditional dress includes the pagdi, also called a safa or turban, along with the angarkha as the upper garment and a dhoti or pyjama below. The style of tying a pagdi varies quite noticeably by region — the Jaipuri, Jodhpuri (Marwari), Mewari and Bikaneri pagdi styles each have their own distinct look and identity, and traditionally, the colour of the pagdi also changes according to the occasion, such as a wedding, a period of mourning, or a festival.

Traditional ornaments — by body part

Body partNames of ornaments
Head/foreheadBorla, rakhdi, sisphool, mangtika
NoseNath (nathni)
EarsJhumka, bali, karanphool
Neck/throatTimaniyan, aad, kanthi, hansli, rani haar
Arm/handBajuband, chooda/pahunchi (bangdi), haathphool
WaistKamarband (tagdi)
FeetPayal, bichhiya

REET often asks 'which body part is this ornament worn on', so learning by body part is the most effective approach.

A few special ornaments and their significance

Borla
A round, bell-shaped ornament that is worn at the very centre of the forehead, and is traditionally considered a marker of a married woman.
Nath (nathni)
A large nose ring worn in the left nostril, often connected to the ear by a fine chain running across the cheek; it is traditionally regarded as a symbol of being married.
Bichhiya
A silver ring worn on the toes of the feet, and traditionally, like the nath, worn by married women as a marker of their marital status.
Kundan and Meenakari jewellery
Jaipur is especially famous for jewellery made using two particular techniques — kundan, which is a method of gem-setting, and meenakari, which involves coloured enamel work.
Chooda/bangdi
The tradition of wearing several bangles together on the wrist, known as chooda, is an integral and highly visible part of Rajasthani women's traditional adornment.

Cultural significance of dress and ornaments

Rajasthan's dress and ornaments aren't just decoration — they also serve as markers of social identity. The particular style of clothing and jewellery a person wears often hints at their marital status, their region and their community; nath and bichhiya, for instance, are traditionally associated specifically with married women. Given the desert climate, loose, light garments and a head-and-face-covering odhni also serve a practical purpose by helping protect the wearer against sun and dust, in addition to their decorative and cultural role.

Even today, wearing traditional dress and ornaments at weddings and festivals remains a living tradition across Rajasthan, and this continuing practice also boosts the state's tourism and handicraft industries — including meenakari work, kundan jewellery, and lac bangles.

Using this in the classroom

At the primary level, teaching children to recognise the traditional dress and jewellery worn in their own family and surroundings connects directly to EVS's broader aim of studying one's own environment. This kind of learning builds both pride in and awareness of their cultural roots, at an age when that foundation matters most.

Regional and social diversity

Some diversity is seen across Rajasthan's different regions and communities when it comes to dress and ornaments — for instance, the odhni and lehariya style typical of Marwar (Jodhpur) differs noticeably from that of Mewar (Udaipur), and tribal communities such as the Bhils have their own distinct jewellery and clothing traditions, often using cheaper metal and simpler designs than the Rajputi tradition. This regional and community-level diversity reflects the state's rich cultural plurality.

Over time, the material used for jewellery has also changed considerably — silver and gold were traditionally the materials of choice, but today many rural and working families adopt lighter, cheaper alternatives, such as German silver or artificial jewellery, especially for everyday use, while the heavier traditional gold and silver pieces are kept back and worn only on special occasions.

How to teach children

Picture-recognition activity

Showing children pictures of traditional dress and ornaments, one at a time, and having them identify both the correct name and the body part it's worn on is an effective activity for this topic.

Connecting to home

Asking children to describe the traditional jewellery worn by their own grandmother or another elder at home connects this topic to their personal, lived experience rather than a distant textbook subject.

Common misconception

Children often lump all neck ornaments together under one name — the teacher should clarify the difference between timaniyan, aad, kanthi and hansli, which are distinguished mainly by how long they are and how high or low on the neck they sit.

Assessment

Showing a picture of an ornament and asking children 'which body part is this worn on, and what is it called' is a simple, effective assessment method for checking this topic.

A trick to remember

Remember them in order from head to toe — 'borla-nath-jhumka-timaniyan-bajuband-kamarband-payal' — this sequence runs from head to feet, so running your hand over your own body while reciting is the easiest way to remember it.

Practice Questions

Question 1

On which part of the body is the 'Borla' ornament worn?

  1. Aमाथा
  2. Bकान
  3. Cगला
  4. Dपैर

Explanation

Borla is a round, bell-shaped ornament worn at the centre of the forehead, considered a marker of a married woman.

Question 2

Which garment in the Rajputi Poshak is used to cover the head and body?

  1. Aघाघरा
  2. Bकांचली
  3. Cओढ़नी
  4. Dअंगरखा

Explanation

The odhni is the veil that covers the head and body — the third main part of the Rajputi poshak.

Question 3

On which part of the body is the 'Nath' worn?

  1. Aकान
  2. Bनाक
  3. Cमाथा
  4. Dगला

Explanation

The nath (nathni) is worn in the left nostril and is traditionally a symbol of being married.

Question 4

On which part of the body is 'Bajuband' worn?

  1. Aगला
  2. Bऊपरी बाजू
  3. Cकमर
  4. Dपैर

Explanation

Bajuband is an ornament worn on the upper arm, often featuring meenakari work.

Question 5

What is traditionally tied on the head in men's traditional Rajasthani attire?

  1. Aओढ़नी
  2. Bपगड़ी (सफा)
  3. Cकांचली
  4. Dघाघरा

Explanation

Men traditionally tie a pagdi (safa), whose style varies by region (Jaipuri, Jodhpuri, Mewari).

Question 6

On which part of the body is 'Bichiya' worn?

  1. Aहाथ की उंगली
  2. Bपैर की उंगली
  3. Cकान
  4. Dकमर

Explanation

Bichhiya is a silver ring worn on the toes, traditionally worn by married women.

Question 7

What kind of ornament is 'Timaniya'?

  1. Aमाथे का आभूषण
  2. Bगले का चोकर (नेकपीस)
  3. Cपैर का आभूषण
  4. Dकान का आभूषण

Explanation

Timaniyan is a tall neck choker worn just below the collarbone.

Question 8

What is the tie-dye technique used to create designs on fabric called?

  1. Aबांधनी/लहरिया
  2. Bमीनाकारी
  3. Cकुंदन
  4. Dथेवा

Explanation

Bandhani/lehariya are tie-and-dye techniques that create specific patterns on fabric, while meenakari and kundan are jewellery techniques.

Question 9

Which is the most suitable activity to teach dress and ornaments in class?

  1. Aकेवल नाम रटवाना
  2. Bचित्र दिखाकर नाम व अंग की पहचान करवाना
  3. Cविषय को छोड़ देना
  4. Dकेवल परीक्षा प्रश्न हल करवाना

Explanation

Picture-based identification activities build both visual memory and practical understanding in children.

Question 10

Which city of Rajasthan is famous for Kundan and Meenakari jewellery?

  1. Aजयपुर
  2. Bबीकानेर
  3. Cअजमेर
  4. Dभरतपुर

Explanation

Jaipur is especially famous for jewellery made using the kundan (gem-setting) and meenakari (coloured enamel) techniques.

Frequently Asked Questions

How many questions come from Dress & Ornaments in REET?+

REET 2024 carried no direct question from this topic, but since ornament-to-body-part matching is a natural exam format for this subject, such a question could appear in any year — so it's worth learning the table thoroughly.

What garments make up the Rajputi poshak?+

The ghagra (skirt), kanchli/kurti (upper garment) and odhni (veil) — together these three make up the Rajputi poshak.

Which body part is the nath worn on?+

The nath (nathni) is worn in the left nostril and is traditionally a symbol of being married.

Which body part are borla and rakhdi ornaments for?+

Both borla and rakhdi are forehead ornaments, worn at the centre of the head.

Why does the style of tying a pagdi vary by region?+

Rajasthan's different regions (Jaipur, Jodhpur, Mewar, Bikaner) each have their own cultural traditions, so the style and colour of tying a pagdi varies from place to place.

What's the difference between bandhani and lehariya?+

Both are tie-and-dye techniques — bandhani creates a dotted pattern on fabric, while lehariya creates diagonal, wave-like stripes; both are popular in Jaipur and Jodhpur.

When are traditional heavy ornaments worn?+

Traditional heavy gold-silver ornaments are usually worn on special occasions like weddings and festivals, while lighter, cheaper alternatives are common for everyday use.

What determines the colour of a pagdi?+

Traditionally, the colour of a pagdi changes with the occasion — bright colours for auspicious occasions and light or white for mourning.

What's the practical use of the odhni?+

Besides covering the head and body, the odhni also helps protect against sun and dust in the desert climate, so it serves a practical need alongside decoration.

How do tribal communities' ornaments differ from Rajputi jewellery?+

Tribal communities' (like the Bhils') ornaments often use cheaper metal and simpler designs, while the Rajputi tradition features more gold-silver and intricate meenakari-kundan craftsmanship.

Read next

Official Sources

  1. Rajputi poshak — general reference
  2. Rajasthani jewellery traditions — general reference

Change Log

  • 17 September 2026 — English page published — mirrors the fact-checked Hindi page, independently bilingual-accuracy checked